{"id":79,"date":"2018-02-08T21:08:07","date_gmt":"2018-02-08T21:08:07","guid":{"rendered":"http:\/\/www.thehollyfest.org\/?page_id=79"},"modified":"2024-10-09T19:37:16","modified_gmt":"2024-10-09T19:37:16","slug":"contributions","status":"publish","type":"page","link":"http:\/\/www.thehollyfest.org\/index.php\/home\/contributions\/","title":{"rendered":"Contributions"},"content":{"rendered":"

Firuza Abdullaeva and Charles Melville, “Illustrating cross-culturalism in text and image: Zulaykha, Phaedra, Sudaba, Venus, Potiphar\u2019s wife, and other femmes fatales<\/a>”<\/p>\n

Nick Allen, “KHANN\u0100S and KACA: An Indo-Iranian Comparison<\/a>”<\/p>\n

Richard Anooshian, “Highlights from 1975 to 1977<\/a>”<\/p>\n

Mohsen Ashtiany, “A Fine Kettle of Fish<\/a>”<\/p>\n

Farhad Atai, “Central Asia as Viewed from Tehran:\u00a0<\/a>1992-2001″<\/span><\/p>\n

Thomas Barfield, “A Bazaar Day: Imam Sahib 1976<\/a>”<\/p>\n

Ann Bergren, “Card<\/a>”<\/p>\n

Sheila Blair, “Wine, women and song: A pictorial tribute to Holly Davidson<\/a>”<\/p>\n

Jonathan Bloom and Wheeler\u00a0Thackston, Schubert\u2019s Rondo in D, “Notre amiti\u00e9 est invariable,” (D608) for piano 4-hands<\/a>”<\/p>\n

Richard Bulliet, “Jackass Memories<\/a>”<\/p>\n

Sheila Canby, “Birds and Beasts in the Shahnama<\/em> of Shah Tahmasp<\/a>”<\/p>\n

H. E. Chehabi, “Notes on Maltese<\/a>”<\/p>\n

The Honorable Hillary Rodham Clinton, “A Birthday Note<\/a>”<\/p>\n

Aryeh Cohen, “A Talmudic diptych<\/a>”<\/p>\n

Jeri Cohen, “Ode to Olga aka Holly<\/a>”<\/p>\n

Juan Cole, “Rubaiyat<\/a>” (translation)<\/p>\n

Touraj Daryaee, “Queen D\u0113nag at the Royal Investiture<\/a>”<\/p>\n

David F. Elmer, “The Integral Odyssey<\/em><\/a>”<\/p>\n

Massoud Farivar, “Portrait of a Culturally Immersive Scholar<\/a>”<\/p>\n

Niloo Fotouhi, “Superwoman & Thundergirl!<\/a>”<\/p>\n

Douglas Frame,\u00a0\u201cHeracles in Ionian Epic: Genesis of the ‘Sack of Oikhalia<\/a>‘\u201d<\/p>\n

Wendy Franco Almquist, Clip from Swan Song<\/em><\/a><\/p>\n

William Granara, “Elegies to a Slavegirl: Love and Exile in the Poetry of Ibn Hamdis<\/a>”<\/p>\n

Jo Guldi, “Reminiscence\u2026<\/a>”<\/p>\n

Maisie Houghton, “Thoughts on Holly<\/a>”<\/p>\n

Sukru Ilicak, “Ottoman DJ’s Very Special Super Trail Mix for Holly<\/a>”<\/p>\n

Pierre-Yves Jacopin, “Notes Sur la mythologie<\/a>”<\/p>\n

Maz Jobrani, “Greetings<\/a>”<\/p>\n

Stefan Kamola, “A song of all heroes<\/a>”<\/p>\n

Ahmad Karimi-Hakkak, “Professor Ahmad Karimi-Hakkak, University of Maryland,\u00a0interviewed by Dr. Homayun Alam, Georg August University G\u00f6ttingen,\u00a0May-September 2007<\/a>”<\/p>\n

Alan Khazei, “Short Film<\/a>”<\/p>\n

Margaret Sears Lindley, “Reminiscence\u2026<\/a>”<\/p>\n

Shaul Magid, “On the Tigris and the Euphrates<\/a>”<\/p>\n

Louise Marlow, “The Wisdom of Buzurgmihr in Mustawf\u012b\u2019s T\u0101r\u012bkh-i guz\u012bdeh<\/em><\/a>”<\/p>\n

Ulrich Marzolph, “A Nineteenth-century Sh\u00e2hn\u00e2ma: M\u00eerz\u00e2 ‘Al\u00ee-Qul\u00ee Kh\u00fb’\u00ee’s Lithographed Illustrations to the Epic’s first Iranian Edition<\/a>”<\/p>\n

John McDonald, “The Oath of Tyndareus and the Nuptials of Nahid:\u00a0Equine Elements of Marriage by Choice in Greek and Persian Epic Tradition<\/a>”<\/p>\n

Maureen N. McLane, \u00a0“H-O-L-L-Y\u00a0\u00a0 N-A-G-Y \/ O-L-G-A\u00a0\u00a0 D-A-V-I-D-S-O-N<\/a>”<\/p>\n

Steve Mitchell, “Reminiscence\u2026<\/a>”<\/p>\n

Sarah Morris, “Partners in Crime: A Life in Latin with Holly Davidson<\/a>”<\/p>\n

Leonard Muellner, “Eins ist keins, zwei ist eins, drei ist alles: A Metonymic Interpretation of the Rule of Three in Epic<\/a>”<\/p>\n

Eden Naby, “Calligraphy Arts of Iran’s Ethno-Religious Minorities<\/a>”<\/p>\n

Antonia Nagy, “Mummy<\/a>” (with\u00a0soundtrack by\u00a0Wes Aldrich)<\/p>\n

Blaise Nagy, “Build It and They Will Come<\/a>”<\/p>\n

Gregory Nagy, “What GN owes OMD<\/a>”<\/p>\n

Joseph Falaky Nagy, “Only the Lonely<\/a>”<\/p>\n

Laszlo Nagy, “Post Chuck Norris Iran Begins with My Mom<\/a>”<\/p>\n

Desiree Navab, “Philos\/Doost,<\/a>” Image Dedication<\/p>\n

Elaine Papoulias, “Holly<\/a>,” A Haiku<\/p>\n

Trita Parsi, “There\u2019s Something About Holly<\/a>”<\/p>\n

Yiannis (J. C. B.) Petropoulos, “Wishing upon\u2026a wine cup<\/a>”<\/p>\n

Ginan Rauf, “Olga Davidson\u2019s life in her own voice, as channeled by Ginan Rauf<\/a>”<\/p>\n

Nancy Marlowe Reimer, “A Beautiful Friendship<\/a>”<\/p>\n

Shulamit Reinharz, “Opening the Door to Muslim Women Scholars and Activism at Brandeis<\/a>”<\/p>\n

Khodadad Rezakhani, “Shahnameh as a Historical Source, 1: The T\u00fcrk and the Hephthalites<\/a>”<\/p>\n

Sunil Sharma, “Qajar Women in Travel Literature by British Women<\/a>”<\/p>\n

Marianna Shreve Simpson, “A Covert Creature in Princeton’s ‘Great Persian Book of Kings’<\/a>”<\/p>\n

Laura Slatkin, “For Holly: looking back, looking ahead<\/a>”<\/p>\n

Alessandra Stanley, “babeungsroman in black and white<\/a>”<\/p>\n

Keith Stone, “The Song of Moses as a test case for diachrony<\/a>”<\/p>\n

Sassan Tabatabai, “Qazal<\/a>”<\/p>\n

Ruth Taylor, “Shade Garden, Campus of the CHS<\/a>”<\/p>\n

Peter and Elizabeth Thomson, “82 Revere Street<\/a>”<\/p>\n

James Uden, “Conserving the Classical Past: Elizabeth Carter, \u2018On his Design of Cutting Down a Shady Walk\u2019 (1745)<\/a>”<\/p>\n

Neguin Yavari, “The Shah\u2019s Empress and the Ayatollah\u2019s Qods-e Iran: Public Lives, Private Letters in 20th Century Iran<\/a>“<\/p>\n","protected":false},"excerpt":{"rendered":"

Firuza Abdullaeva and Charles Melville, “Illustrating cross-culturalism in text and image: Zulaykha, Phaedra, Sudaba, Venus, Potiphar\u2019s wife, and other femmes fatales” Nick Allen, “KHANN\u0100S and KACA: An Indo-Iranian Comparison” Richard Anooshian, “Highlights from 1975 to 1977” Mohsen Ashtiany, “A Fine Kettle of Fish” Farhad Atai, “Central Asia as Viewed from Tehran:\u00a01992-2001″ Thomas Barfield, “A Bazaar … <\/p>\n

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